Mario Bava kick-started the Italian gothic boom of the 1960’s with the baroque majesty of Black Sunday , which was followed by the exceptional work of Riccardo Freda ( The Horrible Secret of Dr. Hichcock, The Ghost ), the slow-moving but atmospheric films of Antonio Margheriti ( Castle of Blood , The Long Hair of Death ), and the sometimes inspired, sometimes insipid films of directors ranging from Giorgio Ferroni ( Mill of the Stone Women ) to Camillo Mastrocinque ( Crypt of the Vampire ) to...
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