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Order your custom ringtones in the voice of Doc from Back to the Future (played by Christopher Lloyd).  Just email the text you want as a ringtone e.g Pick up the phone John (your name here), we have to go back to the future. Email the text to request@ringtones.mobi or abbas.alvi@ooober.com for more details. Each custom ringtone will cost $1.99 plus std messaging rates apply. Check out the following store to see some of the custom ringtones. Back to the Future ringtones Share and Enjoy:  Read More →

Top 10 Ringtones of 2008 2008 belonged to major artists in terms of ringtone sales. Lil Wayne, Coldplay, and Taylor Swift ringtones remained at top of the charts. The same thing reflected in terms of album sales where Carter III was the highest selling album of 2008, followed by Viva la Vida by Coldplay and Fearless by Taylor Swift. But this list is not about the ringtones of Record Labels but ringtones from other categories which were bought by mobile users in USA through Ringtones.mobi It is, however, interesting to note that ringtone sales were affected by many of the movie releases in 2008. For 2008 following 10 ringtones were the most famous ringtones of 2008 10. Dr. Evil – Zip It There were rumors that another installment of Austin Powers starring Mike Myers is in the production but no solid news has come forth. Who can forget Dr. Evil from the Austin Powers movies? This ringtone, which also pokes fun at McFly from Back to the Future, is a timeless ringtone which would bring a smile to anyone who listens to it. To preview and get the ringtone, visit this link http://ringtones.mobi/web_get.htm?id=8812 * In USA, AT&T, Sprint, T-Mobile, Cellular One and Virgin Mobile users can buy Dr Evil – Zip it ringtone by sending a text message Get R8812 to 68267 and download directly to their mobile. $0.99 plus Standard Operator rates apply. 9. Sex and the City theme With the release of the long-awaited Sex and the City Movie, the classic TV series theme received a lot of downloads by avid Sex and the City fans. Carrie Bradshaw (Sarah Jessica Parker), Samantha Jones, Charlotte York (Kristin Davis), and Miranda Hobbes (Cynthia Nixon) make a comeback with a feature movie based on the TV series Sex and the City. To preview and get the ringtone, visit this link http://ringtones.mobi/web_get.htm?id=8716 * In USA, AT&T, Sprint, T-Mobile, Cellular One and Virgin Mobile users can buy this Sex and the City theme ringtone by sending a text message Get R8716 to 68267 and download directly to their mobile. $0.99 plus Standard Operator rates apply. 8. Sex and the City – Samantha Voice Ringtone With the Sex and the City hype, fans particularly downloaded this ringtone which is voice tone of the character Samantha Jones played by actress Kim Cattrall. Download and see which cell phone feature Samantha likes the best. To preview and get the ringtone, visit this link http://ringtones.mobi/web_get.htm?id=8805 * In USA, AT&T, Sprint, T-Mobile, Cellular One and Virgin Mobile users can buy this Sex and the City Samantha Voice ringtone by sending a text message Get R8805 to 68267 and download directly to their mobile. $0.99 plus Standard Operator rates apply. 7. Batman Theme (Adam West Version) Dark Knight was probably the most awaited movie of 2008. With untimely demise of Heath Ledger, a posthumous Oscar might be imminent as his portrayal of the Joker could not be done better. Batman maybe a Dark character now but no one can forget the comic portrayal of Batman by Adam West in the 60’s. Get the original classic ringtone of the Batman TV theme on your cell phone. To preview and get the ringtone, visit this link http://ringtones.mobi/web_get.htm?id=8393 * In USA, AT&T, Sprint, T-Mobile, Cellular One and Virgin Mobile users can buy this Batman Theme ringtone by sending a text message Get R8393 to 68267 and download directly to their mobile. $0.99 plus Standard Operator rates apply. 6. Superman Theme Superman is timeless super hero which people will always love and cherish. The classic ringtone of Superman movie soundtrack is still a hot favorite among loyal fans. To preview and get the Ringtone of Superman movie soundtrack, visit this link http://ringtones.mobi/web_get.htm?id=8724 * In USA, AT&T, Sprint, T-Mobile, Cellular One and Virgin Mobile users can buy this content by sending a text message Get R8724 to 68267 and download directly to their mobile. $0.99 plus Standard Operator rates apply. To get the Ringtone of Superman starting credits, visit this link http://ringtones.mobi/web_get.htm?id=8712 In USA, AT&T, Sprint, T-Mobile, Cellular One and Virgin Mobile users can buy this content by sending a text message Get R8712 to 68267 and download directly to their mobile. $0.99 plus Standard Operator rates apply. 5. Funny Santa Voice Ringtone – Made in China Another custom ringtone service – get your own custom ringtone in voice of Santa Claus by emailing the text to request@ringtones.mobi . The favorite ringtone was the Made in China ringtone in the voice of Santa Claus made by the voice artist Bryan Cox. Check out the custom ringtones in Santa’s voice at www.ringtones.mobi/funnysanta To preview and get the Made in China ringtone, visit this link: http://ringtones.mobi/web_get.htm?id=1534825 * In USA, AT&T, Sprint, T-Mobile, Cellular One and Virgin Mobile users can buy Funny Santa Voice Ringtone- Made in China by sending a text message Get R30310 to 68267 and download directly to their mobile. $1.99 plus Standard Operator rates apply. 4. James Bond Theme With the new bond movie Quantum of Solace, with Daniel Craig as 007, hitting the screens this year, people bought the classic James Bond theme ringtone for their mobiles. To preview and get the James Bond theme ringtone, visit this link: http://ringtones.mobi/web_get.htm?id=1534825 * In USA, AT&T, Sprint, T-Mobile, Cellular One and Virgin Mobile users can buy James Bond Theme ringtone by sending a text message Get R8616 to 68267 and download directly to their mobile. $1.99 plus Standard Operator rates apply. 3. Back to the Future – Your Name Ringtones.mobi signed with the famous voice artist Bryan Cox to provide custom ringtones to customers who want a ringtone in the voice of DOC (Christopher Lloyd) in the Back to the future. To check out some of the custom ringtones ordered by customers visit www.ringtones.mobi/backtothefutureparody To preview and request a ringtone, email the text to request@ringtones.mobi or support@ringtones.mobi for any queries. 2. Fart the Big One People still love fart jokes and everything that has to do with farting. Our catalogue includes all kinds of fart ringtones, small to noisy but “Fart the big one” takes the top spot in sound effects category. To get all kind of fart and other sound effect ringtones, check out over 2000+ ringtones in this store www.ringtones.mobi/soundeffects To preview and get Fart the big one ringtone, visit this link: http://ringtones.mobi/web_get.htm?id=1534825 * In USA, AT&T, Sprint, T-Mobile, Cellular One and Virgin Mobile users can buy this Fart the big one ringtone by sending a text message Get R1534825 to 68267 and download directly to their mobile. $1.99 plus Standard Operator rates apply. 1. 24 CTU Ringtone Yes, it’s the TV series which introduced us to the term “TV Binging”. With 24 still going strong with Jack Bauer (Kiefer Sutherland) saving the world in 24 hours, the CTU phone ringtone was a favorite among 24 fans. To preview and get this ringtone, visit this link: http://ringtones.mobi/web_get.htm?id=8712 * In USA, AT&T, Sprint, T-Mobile, Cellular One and Virgin Mobile users can buy 24 CTU ringtone by sending a text message Get R13950 to 68267 and download directly to their mobile. $1.99 plus Standard Operator rates apply. Share and Enjoy:  Read More →

  Gone with the Wind is a 1939 American dramatic-romantic-war film adapted from Margaret Mitchell’s1936 novel of the same name and directed by Victor Fleming (Fleming replaced George Cukor). The epic film, set in the American South in and around the time of the Civil War, stars Vivien Leigh, Clark Gable,Leslie Howard, and Olivia de Havilland, and tells a story of the Civil War and its aftermath from a white Southern viewpoint. It received ten Academy Awards, a record that stood for twenty years. In the American Film Institute’s inaugural Top 100 American Films of All Time list of 1998, it was ranked number four, although in the2007 10th Anniversary edition of that list, it was dropped two places, to number six. In June 2008, AFI revealed its 10 top 10 — the best ten films in ten American film genres—after polling over 1,500 persons from the creative community. Gone with the Wind was acknowledged as the fourth best film in the Epic genre. It has sold more tickets in the U.S. than any other film in history, and is considered a prototype of a Hollywood blockbuster. Today, it is considered one of the greatest and most popular films of all time and one of the most enduring symbols of the golden age of Hollywood.   Cast of Gone with the Wind Vivien Leigh as Scarlett O’Hara Clark Gable as Rhett Butler Leslie Howard as Ashley Wilkes Olivia de Havilland as Melanie Hamilton Hattie McDaniel as Mammy Oscar Polk as Pork Butterfly McQueen as Prissy George Reeves as Stuart Tarleton (miscredited as Brent Tarleton) Fred Crane as Brent Tarleton (miscredited as Stuart Tarleton) Thomas Mitchell as Gerald O’Hara Barbara O’Neil as Ellen O’Hara Evelyn Keyes as Suellen O’Hara Ann Rutherford as Carreen O’Hara Howard Hickman as John Wilkes Alicia Rhett as India Wilkes Rand Brooks as Charles Hamilton Carroll Nye as Frank Kennedy Victor Jory as Jonas Wilkerson Everett Brown as Big Sam Harry Davenport as Dr Meade Cammie King as Bonnie blue Butler Cliff Edwards as Reminiscent Soldier   Screenplay Of original screenplay writer Sidney Howard, film historian Joanne Yeck writes, “reducing the intricacies of Gone with the Wind’s epic dimensions was a herculean task…and Howard’s first submission was far too long, and would have required at least six hours of film; … [producer] Selznick wanted Howard to remain on the set to make revisions…but Howard refused to leave New England [and] as a result, revisions were handled by a host of local writers, including Ben Hecht…” Producer David O. Selznick replaced the film’s director three weeks into filming and then had the script rewritten. He sought out director Victor Fleming, who, at the time, was directing The Wizard of Oz. Fleming was dissatisfied with the script, so Selznick brought in famed writer Ben Hecht to rewrite the entire screenplay within five days.”  By the time of the film’s release in 1939, there was some question as to who should receive screen credit,” writes Yeck. “But despite the number of writers and changes, the final script was remarkably close to Howard’s version. The fact that Howard’s name alone appears on the credits may have been as much a gesture to his memory as to his writing, for in 1939 Sidney Howard died tragically at age forty-eight in a farm-tractor accident, and before the movie’s premiere.”  David O. Selznick, in a memo written in October 1939, discussed the movie’s writing credits: “[Y]ou can say frankly that of the comparatively small amount of material in the picture which is not from the book, most is my own personally, and the only original lines of dialog which are not my own are a few from Sidney Howard and a few from Ben Hecht and a couple more from John Van Druten. Offhand I doubt that there are ten original words of [Oliver] Garrett’s in the whole script. As to construction, this is about eighty per cent my own, and the rest divided between Jo Swerling and Sidney Howard, with Hecht having contributed materially to the construction of one sequence.” According to Hecht biographer, William MacAdams, “At dawn on Sunday, February 20th, 1939, David Selznick … and director Victor Fleming shook Hecht awake to inform him he was on loan from MGM and must come with them immediately and go to work on Gone with the Wind, which Selznick had begun shooting five weeks before. It was costing Selznick $50,000 each day the film was on hold waiting for a final screenplay rewrite and time was of the essence. Hecht was in the middle of working on the film At the Circus for the Marx brothers. “ Recalling the episode in a letter to screenwriter friendGene Fowler, he said he hadn’t read the novel but Selznick and director Fleming could not wait for him to read it. They would act out scenes based on Sidney Howard’s original script which needed to be rewritten in a hurry. Hecht wrote, “After each scene had been performed and discussed, I sat down at the typewriter and wrote it out. Selznick and Fleming, eager to continue with their acting, kept hurrying me. We worked in this fashion for seven days, putting in eighteen to twenty hours a day. Selznick refused to let us each lunch, arguing that food would slow us up. He provided bananas and salted peanuts….thus on the seventh day I had completed, unscathed, the first nine reels of the Civil War epic.” MacAdams writes, “It is impossible to determine exactly how much Hecht scripted…In the official credits filed with the Screen Writers’ Guild, Sidney Howard was of course awarded the sole screen credit, but four other writers were appended … Jo Swerling for contributing to the treatment, Oliver H. P. Garrett and Barbara Keon to screenplay construction, and Hecht, to dialogue, so it would appear Hecht’s influence was not insubstantial.”   Production Producer David O. Selznick, head of Selznick International Pictures, decided that he wanted to create a film based on the novel after his story editor Kay Brown read a pre-publication copy in May 1936 and urged him to buy the film rights. A month after the book’s publication in June 1936, Selznick bought the rights for $50,000, a record amount at the time. Major financing for the film was provided by Selznick business partner John Hay Whitney, a financier who later went on to become a U.S. ambassador. The casting of the two lead roles became a complex, two-year endeavor. Many famous or soon-to-be-famous actresses were either screen-tested, auditioned, or considered for the role of Scarlett, including Jean Arthur, Lucille Ball, Tallulah Bankhead, Joan Bennett, Joan Crawford, Bette Davis,Frances Dee, Olivia de Havilland, Irene Dunne, Joan Fontaine, Greer Garson, Paulette Goddard, Susan Hayward, Katharine Hepburn, Miriam Hopkins, Carole Lombard, Ida Lupino, Merle Oberon, Norma Shearer, Barbara Stanwyck, Margaret Sullavan, Lana Turner and Loretta Young. Four actresses, including Jean Arthur and Joan Bennett, were still under consideration by December 1938. But only two finalists, Paulette Goddard and Vivien Leigh, were tested in Technicolor, both on December 20. Selznick had been quietly considering Vivien Leigh, a young English actress little known in America, for the role of Scarlett since February 1938, when Selznick saw her in Fire Over England and A Yank at Oxford. Leigh’s American agent was the London representative of the Myron Selznick talent agency (headed by David Selznick’s brother, one of the owners of Selznick International), and she had requested in February that her name be submitted for consideration as Scarlett. By summer of 1938, the Selznicks were negotiating with Alexander Korda, to whom Leigh was under contract, for her services later that year.[9] But for publicity reasons David arranged to meet her for the first time on the night of December 10, 1938, when the burning of the Atlanta Depot was filmed. The story was invented for the press that Leigh and Laurence Olivier were just visiting the studio as guests of Myron Selznick, who was also Olivier’s agent, and that Leigh was in Hollywood hoping for a part in Olivier’s current movie, Wuthering Heights. In a letter to his wife two days later, Selznick admitted that Leigh was “the Scarlett dark horse”, and after a series of screen tests, her casting was announced on January 13, 1939. Just before the shooting of the film, Selznick informed Ed Sullivan: “Scarlett O’Hara’s parents were French and Irish. Identically, Miss Leigh’s parents are French and Irish.” For the role of Rhett Butler, Clark Gable was an almost immediate favorite for both the public and Selznick. Nevertheless, as Selznick had no male stars under long-term contract, he needed to go through the process of negotiating to borrow an actor from another studio. Gary Cooper was thus Selznick’s first choice, because Cooper’s contract with Samuel Goldwyn involved a common distribution company, United Artists, with which Selznick had an eight-picture deal. However, Goldwyn remained noncommittal in negotiations. Warner Bros. offered a package of Bette Davis,Errol Flynn, and Olivia de Havilland for the lead roles in return for the distribution rights. But by then Selznick was determined to get Clark Gable, and eventually found a way to borrow him from Metro-Goldwyn-Mayer. Selznick’s father-in-law, MGM chief Louis B. Mayer, offered in May 1938 to fund half of the movie’s budget in return for a powerful package: 50% of the profits would go to MGM, the movie’s distribution would be credited to MGM’s parent company, Loew’s, Inc., and Loew’s would receive 15 percent of the movie’s gross income. Selznick accepted this offer in August, and Gable was cast. Nevertheless, the arrangement to release through MGM meant delaying the start of production until Selznick International completed its eight-picture contract with United Artists. Principal photography began January 26, 1939, and ended on June 27, 1939, with post-production work (including a fifth version of the opening scene) going to November 11, 1939. Director George Cukor, with whom Selznick had a long working relationship, and who had spent almost two years in preproduction on Gone with the Wind, was replaced after less than three weeks of shooting. Olivia de Havilland said that she learned of George Cukor’s firing from Vivien Leigh on the day the Atlanta bazaar scene was filmed. The pair went to Selznick’s office in full costume and begged him to change his mind. Selznick apologized, but refused. Victor Fleming, who was directing The Wizard of Oz, was called in from MGM to complete the picture, although Cukor continued privately to coach Leigh and De Havilland. Another MGM director, Sam Wood, worked for two weeks in May when Fleming temporarily left the production due to exhaustion.  Cinematographer Lee Garmes began the production, but after a month of shooting what Selznick and his associates thought was “too dark” footage, was replaced with Ernest Haller, working with Technicolor cinematographer Ray Rennahan. Most of the filming was done on ”the back forty” of Selznick International with all the location scenes being photographed in California, mostly in Los Angeles County or neighboring Ventura County. Estimated production costs were $3.9 million; only Ben-Hur (1925) and Hell’s Angels (1930) had cost more. Although legend persists that the Hays Office fined Selznick $5,000 for using the word “damn” in Butler’s exit line, in fact the Motion Picture Association board passed an amendment to the Production Code on November 1, 1939, that forbade use of the words “hell” or “damn” except when their use “shall be essential and required for portrayal, in proper historical context, of any scene or dialogue based upon historical fact or folklore … or a quotation from a literary work, provided that no such use shall be permitted which is intrinsically objectionable or offends good taste.” With that amendment, the Production Code Administration had no further objection to Rhett’s closing line.    Academy Awards Gone with the Wind was the first film to get more than six Academy Awards nominations. Of the 17 competitive awards which given at the time,Gone with the Wind had 13 nominations. It was the Winner of 10 Academy Awards. (8 regular, 1 honorary, 1 technical)     Get Gone with the Wind Wallpaper (Specail Edition in Italian) for your mobile at ringtones.mobi/classicmovies   Source: Text was taken from wikipedia under the GNU Free License Documentation Share and Enjoy:  Read More →

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