Vancouver recording studios Ways to Improve Your Voiceover Copy
Your voiceover copy will either spell out success or failure of your radio commercials or podcasts. Your copy should be convincing enough to gain credibility with your listeners. Be warned though that writing voiceover copies are very different from writing print ads.
Peter Drew, a veteran voiceover artist who is involved in Internet and radio productions, emphasizes the idea of 'writing for the ear, not the eye.' This idea requires one to write brief and straight to the point messages, the kind that we use in conversations. This style may seem very strange for anyone who has written ad copies but developing this style will allow one to create effective and convincing voiceovers.
Listed here are some techniques you can immediately apply to improve your voiceover copies and get results out of them.
1. Make sure everything is in the active voice. Voiceovers need to take place in the present time, as if they were a real conversation. Make sure the whole script is written in the active voice so that the audience can identify with the messages easily.
2. Use a windscreen to protect the mic. If your voiceover script contains a lot of words that begin with the letters 'P', 'B' and 'T', the talent may have difficulty reading the sentence without distorting it. A windscreen can help eliminate this problem and help them deliver a more smooth-sounding sentence.
3. Mark up the copy for inflection. Bolding certain words, highlighting parts of the copy or using something simple as underlines can really help your voiceover artist understand the gist of the message and deliver a quality piece. Read the copy out loud yourself to identify what parts of the sentence you want to emphasize, then mark up the copy so that the artist understands exactly what you need.
4. Write down phone numbers in word form. Numbers are also words that would need to be read. Spell each number so that you can detect if there are any blockages to your script's overall impact. Be prepare to edit your script if any part sounds inappropriate.
5. Use your headline effectively. Listeners will hear your headline first so make sure this is interesting. A headline should be no more than ten words and declares a minimum of one significant point.
It is the job of the scriptwriter to ensure that the script or copy will match the talent of the voiceover artist. Each voiceover artist can project a certain personality and this has to fit with the script. Once an artist has been selected, the script can then be altered to match the artist. What's important here is that the artist voice, personality and quirks should match your message. Also give time for the artist to practice delivering the message. Be sure to apply all of these techniques to create a solid and compelling script.
Author Terry Daniel is a Professional Voice Over Actor from Minneapolis, Minnesota and Has Provided the Voice Talent for Hundreds of Projects and Advertisements Since'91.vancouver recording studios: Music Studio
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