Costa-Gavras

Costa-Gavras

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From:   www.ap.org
Greece's new Acropolis Museum said Tuesday it would restore references to early Christians vandalizing the ancient Parthenon temple, which were deleted from a film shown to visitors for fear of angering the country's powerful Orthodox Church. The decision last month to delete the short segment angered the film's creator, Academy Award-winning filmmaker Constantin Costa-Gavras, and was criticized in the Greek press as an act of censorship. The controversy came just over a month after the opening of the new museum, where Greece hopes one day to display the Elgin — or Parthenon — sculptures if the British Museum ever accedes to a Greek demand ... Read Full Story
From:   www.ap.org
A scene from an animated film shown to visitors at the new Acropolis Museum that depicts Christian priests destroying parts of the Parthenon has been deleted following protests by the Greek Orthodox Church. The creator of the segment, Greek-born French filmmaker Constantin Costa-Gavras, has demanded that his name be taken off the film credits in protest. "The priests used to destroy ancient temples. Now they want to remove scenes from a film," Costa-Gavras told Greece's Mega TV channel. "This is the kind (of censorship) that used to happen in the former Soviet Union." Costa-Gavras, known mainly for French-language films with political themes, such as ... Read Full Story
From:   www.afp.com
Greece's new Acropolis Museum on Tuesday said it will undo controversial editing of a video showing the Parthenon temple vandalised by early Christians in a row that has sparked complaints of Church-backed censorship. The video will be restored after its maker, renowned French-Greek filmaker Costa-Gavras, said he meant to attach no blame to Christian priests for the destruction, museum director Dimitris Pantermalis said. "Following this self-evident clarification which the museum accepts ... the information film will resume display," Pantermalis said in a statement. The museum had excised a 12-second segment from the video showing robed figures hacking away sculptures from the iconic Parthenon when ... Read Full Story
From:   www.afp.com
A rights group has accused Greece's new Acropolis Museum of censoring a video that shows early Christians vandalising antiquities after complaints attributed to the country's Orthodox Church. The Greek section of the Helsinki Monitor (GHM) on human rights on Monday said it had filed an injunction application against the museum, demanding that the video by prominent French filmmaker Costa-Gavras be restored in full. GHM said the museum had excised a 12-second segment from a Gavras animation video showing robed figures hacking away sculptures from the iconic Athens Parthenon, a reference to the ancient temple's transformation into a basilica when Christianity supplanted paganism in Greece ... Read Full Story
Written by The_Zimbio_Team on
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Beginning with 1969’s Z, recently added to the Criterion Collection, Costa-Gavras established himself as a master of the political thriller, using the tools of suspense to attack repressive ideology. Born Constantinos Gavras—the name change was courtesy of a title-card typo—he was raised in Greece by politically active parents; his father fought in the anti-Nazi resistance during World War II. While there’s no mistaking his targets, Costa...  
From theonion.com ()
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Costa-Gavras’ 1969 classic Z kicked off an entire generation of political thrillers with its thinly fictionalized, bitterly satirical nod to the 1963 assassination of democratic Greek politician Gregoris Lambrakis. Thumbing his nose at the military dictatorship ruling Greece at the time, Costa-Gavras opens the film with a now-famous epigram: “Any resemblance to real events, to persons living or dead, is not accidental. It is DELIBERATE...  
From theonion.com ()
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From cinemaretro.com ()
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For Costa-Gavras, the famed filmmaker of the 1960s-'70s political thrillers "Z" and "State of Siege," his new movie represents a significant departure. "Eden Is West" is a rambling road movie, offering a playful, poetic take on the plight of illegal immigrants struggling to find a place to live, and make a living, in the new Europe.It is not the usual intense and dramatic Costa-Gavras fare."It's absolutely lighter and less serious than my...  
From thestate.com ()
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The A.V. Club: Did you initially see cinema as a tool for political change, or did you just love the art form? Costa-Gavras: No, no. The idea at the beginning was to study literature and to try, originally, to write. That seemed like a childish dream ...  
From search.live.com ()
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