Gustav Klimt

"Enchanting - Klimt and Me" click for larger image Inside Boarders are Metallic Copper and Gold Lacquers and Black Onyx Finish Klimt and Me Series Art Nouveau Symbol / Metallics Certifed Original Oil Paintings MkM Copyright 2008 K. Madison Moore __________________________________ Close up Details of Metallic Gold Lacquer Enhancements click for larger view Close Up Jewelry and Gold Enhancements click for larger view The Sides are Black Onyx Finish, No Frame... Read Full Story

"The Kiss - Klimt and Me" click for larger view Inspired by Gustav Klimt Certified Original Oil Painting copyright 2008 MkM Close View Areas of the painting are enhanced with Pale Metallic Gold. Bracelets, Dress Pattern , Flowers. Colors will vary with monitors. Sides are finished in Gold Metallic, No Frame needed _________________________ Details: 1 x 10 x 12 inches Original Oil Painting Top edge and sides are finished in Metallic gold Gallery Wrapped Linen Canvas hardwood... Read Full Story

"Mother and Child" click for larger view Klimt and Me Series Art Nouveau / Symbolism Certified Original Oil Paintings MkM copyright 2007 k. Madison Moore finished sides click _______________________________________________ Details: 1 x 8 x 10 inches, Oil Painting Metallic Enhancements Gallery Wrapped Linen Canvas Hardwood Panel No frame needed, Ready to hang Valid Certificate of Appraisal For more information and pricing Commission Projects Welcome... Read Full Story

"Rendition of The Kiss " click to view larger image Klimt and Me Series Art Nouveau Symbolism Certified Original Oil Paintings copyright MkM 2008 k. Madison Moore __________________________________________ Details: 1 x 10 12 inches, Original Art Nouveau Oil Painting Gallery Wrapped Linen Canvas Hardwood Panel Sides are finished, Ready to hang Valid Certificate of Appraisal Inclusive For more information Commissions Projects Welcome My Still Life Blog http... Read Full Story

Gustav Klimt first made himself known by the decorations he executed (with his brother and their art school companion F. Matsch), for numerous theatres and above all for the Kunsthistorisches Museum in Vienna, where he completed, in a coolly photographic style, the work begun by Makart. At the age of thirty he moved into his own studio and turned to easel painting. At thirty-five he was one of the founders of the Vienna Secession; he withdrew eight years later, dismayed by the increasingly... Read Full Story