December 20, 2012 by Simon Kinnear in At Home with 0 Comments
A masterclass in the editing of sound and image transforms Strickland’s playful, perplexing Giallo homage into a densely packed voyage into madness.
Berberian Sound Studio
(Peter Strickland, 2012)
When you think about it, filmmaking is a weird affair. All that time and effort and creativity in the service of such artifice! In so many cases, the aim is to bring the unreal to life, even as the real is being made unreal, by cutting...
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