Since my family lives in the Pacific Northwest, my first exposure to indigenous art was that of the Northwest Coast. It was in Seattle and Vancouver, B.C. that I fell in love with the easily-recongnizable symbology of red and black button blankets and the phenomenal mask work that incorporates cedar, alderwood, horsehair, abalone shell and more. Of late, I have been very interested in learning about basketry in general, so when I met Gianna Willard and Diane Douglas-Willard of Ketchikan...
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