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The exposure « Eileen Gray » and Roberto Polo the specialist in Art

Roberto Polo the amateur of art, guide designer of the Historismus showroom , organises a varnishing about Eileen Gray. Illustrator performer and fashion designer from the end of the XIX century, this Irish artist has lengthily retained hidden her activities . Sixty of them are formed with montage, snapshots and others frescos and have beed discovered by Roberto Polo.

The fan repaires them for multiple years in order to display exceptionally . Eileen Gray is famous for her capacities in home garnishment . Her realisations of gouaches and pictures are strongly impacted by the cubism which monitored in the period of her first tries in gouaches . After she detected the creations of Gerrit Rietveld, Eileen Gray neglected to her first devotion in order to centralize on unrepresentation style .

Strongly against to the modern designation of Art Deco, Eileen Gray opts to actual respect her realisations for herself in order to suggest them few years afterwards to her confident named Peter Adam. The pictures expose basically a painting study made by the artist herself. For ages she practised hidden in order to develop her frescos .

Gathering very private and poignant about this unknow but talented expert of the pictures and paintings, this exhibition has been created to introduce a real talent. Roberto Polo offers to the crowd a special godsend to learn about this artist and her different style transitions without losing her skills . Named "Eileen Gray: an important collection of 60 showpieces on paper", the exhibition tells her very productive works from 1918 to 1950.
The Eillen Gray style entirely distances itself from Art Deco, which she loathes, albeit without leaving the modern current.

At the Place des Vosges in Paris is located one of the most famous rooms in Europe which is called the Historismus gallery. Settled since 2006 and administrated initially by the amateur of renamed art Roberto Polo, this room often receives some unrepeatable presentations .
From its simple mood and the reflexive choice to be installed above a restaurant, the Historismus premise of arts gives in peace to lounge among conceptions of artists . Refine and warm atmosphere, it suggests affordable sales costs for merit pieces exposed .

The location suggests decorated and designed works, going from the classical epoch of the XVI century creators to the elements of present designers. Works from Paul Hankar, Bernhard Pankok or Michel Lienard are, without prelude , mixed with the creations of Boucher or Hector Guimard. From gravures to frescos and other decorative arts, the Historismus gallery is free to every artists. Its modernism part , as well as the ancient works, counts among the best invested on the circuit . Roberto Polo protects this diversified spirit since the openning of the gallery, in order to prove that it is far from being a closed place, the artistic sector must be opened to the general public to subsist .

The concept is effective and it is by continuing this principle of organisation from his spiritual guide that the Historismus gallery constituted over the years a notebook of worldwide clients. Thanks to the total devotion of Roberto Polo to his occupation , the Historismus gallery regularly constitutes a renewed depot of goods. Regularly considered as an antiquity gallery, it also regroups many works unknown which the gallery mends under the advised eye of Roberto Polo.
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