Storytellers are ever on a quest for two things: A great opening and an even better hook. So, as a writer, I had no choice but to sit back and admire the hell out of John Fawcett and Graeme Manson’s new BBC America show Orphan Black, which debuted Saturday night. Shit, even the name is great, and I have no idea what it means.
The great opening takes place on a train platform, where petty crook/scam artist Sarah (Tatiana Maslany) is bitching into a telephone at someone. She slowly becomes...
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