Val Lewton Movies

Val Lewton Movies

For fans for Val Lewton movies. Share your personal film reviews or opinions about his works. According to Wikipedia: Val Lewton was born as "Vladimir Ivan Leventon" in what is now Yalta, Ukraine. He was a nephew of the actress Alla... [more]

For fans for Val Lewton movies. Share your personal film reviews or opinions about his works.

According to Wikipedia: Val Lewton was born as "Vladimir Ivan Leventon" in what is now Yalta, Ukraine. He was a nephew of the actress Alla Nazimova. In 1909, he immigrated to the USA with his sister and mother (where his name was changed to Val Lewton). He was raised in suburban Port Chester, New York.

Prior to beginning his film career in the early 1930s (as an MGM publicist and assistant to David O. Selznick), he studied journalism at Columbia University and authored eighteen works of nonfiction, fiction, and poetry.

Lewton once lost his job as a reporter for the Darien-Stamford Review after it was discovered that a story he wrote about a truckload of kosher chickens dying in a New York heat wave was a total fabrication.

In 1932 he wrote a best-selling pulp novel No Bed of Her Own. The book was later made into the film No Man of Her Own, with Clark Gable and Carole Lombard. His first screen credit was "revolutionary sequences arranged by" in David O. Selznick’s 1935 version of A Tale of Two Cities. Lewton also worked as an uncredited writer for Selznick’s Gone with the Wind, including writing the scene where the camera pulls back to reveal hundreds of wounded soldiers on the battlefield.

In 1942, Lewton was named head of the horror unit at RKO studios. He was paid $250 a week. And as head of the B-horror unit he would have to follow three rules: each film had to come in under a $150,000 budget; each film was to run under 75 minutes; and Lewton's supervisors would supply the title for each film.

Lewton's first production was Cat People, with Simone Simon. Made for $134,000, the film went on to earn nearly $4 million, and was the top moneymaker for RKO that year.

Lewton died of a heart attack on March 14, 1951, at the age of 46.

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Written by felixxx on
Written by Steve-O Cat People from 1942 is a film noir disguised as a horror film. Filled with the same visual style and sense of fatalism that dominated film noir during the classic film noir (that would peak four or five years later especially at RKO), Cat People is the ultimate horror-noir. When Val Lewton was made head of RKO's horror division, he immediately set out to make movies that were initially just attempts to cash in on Universal Pictures horror film resurgence during the late 1930s. Cat People was Lewton's first assignment. With only a title "Cat People" and a limited budget to ... Read Full Story
Written by skinnyrydell on
I’m a huge fan of the nine horror films Val Lewton produced at RKO between 1942 and 1946. The term “producer” is misleading here. Lewton , a Russian immigrant and former author, was instrumental in every step of the creative filmmaking process, from scriptwriting to the final cut. Therefore, his films share not only common themes and structure, but also a singular, unifying philosophy: Horror filmmaking isn’t about what you see; it’s about what you don’t. This type of understated, ambiguous approach is now known in horror circles as “Lewtonesque.” Of course, RKO knew nothing of Lewton’s “less is more” ideology when they hired ... Read Full Story
Written by skinnyrydell on
Delmore Walker, my great friend of the last quarter century, has agreed to contribute his learned viewpoint to some of these posts. He acquiesced to my strength – horror films – for our first dual post, and we went with The Body Snatcher. I posted my review yesterday, but I will also paste it after Delmore’s entry here. So, please enjoy the first post of two Whistling Witlings: Delmore Walker The end of Val Lewton's The Body Snatcher (1945) has stayed with me and that's mostly due to what horror the filmmakers left to imagination. In fact there's masterful restraint on display all through ... Read Full Story
Written by skinnyrydell on
Nothing stays buried in 1945’s The Body Snatcher , least of all the specter of the past, whose long arms entangle the characters until the final scene – literally. Val Lewton’s highly literate, intelligent updating of Robert Louis Stevenson’s tale of Burke and Hare examines how the crimes of the 19th-century grave robbers cum murderers and their employer, Dr. Knox, still stain the next generation of doctors trying to battle disease and superstition in 19th-century Edinburgh. Henry Daniells is Dr. McFarlane, a former assistant to Dr. Knox who now runs his own medical academy. McFarlane’s assistant is the young Donald Fettes, whose very name ... Read Full Story
Written by bsolomon1 on
Fans of vintage horror would do well to plant themselves in front of the tube--or at least have their TiVos set--tomorrow night. That's because the always-excellent Turner Classic Movies has a night of Val Lewton in store. To kick it off at 8p.m., Martin Scorsese presents Val Lewton - The Man in the Shadows , a new documentary on the man who produced the finest fright films of the 1940s . The doc will be followed by a marathon that includes eight of Lewton's nine horror pics: Cat People (1942), I Walked with a Zombie (1943), The Leopard Man (1943), The Seventh Victim (1943), ... Read Full Story
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Val Lewton

Val Lewton

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