It goes without saying that those keeping on eye on the films of South Korea have been privy to somewhat of a cinematic renaissance in the past decade, with such visionaries as Chan-wook Park, Joon-ho Bong, and Jae-woon Kim exploding on the scene with works that are not only eye-catching, but tackle challenging subject matter in a way that transcends geography. Hong-jin Na has, with his second film THE YELLOW SEA, proven he deserves to be mentioned in the same breath as those exciting...
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