Tony Gilroy

With Duplicity still in some theaters and State of Play debuting this weekend, it's fitting to feature a couple of interviews with writer-director Tony Gilroy . In addition to writing and directing Duplicity and co-writing the screenplay for State of Play , Gilroy's credits include The Cutting Edge (1992) , Dolores Clairborne (1995) , The Bourne Identity (2002) , The Bourne Supremacy (2004) , The Bourne Ultimatum (2007) , and Michael Clayton (2007) , which he wrote and directed. In this interview , Gilroy discusses how he procured the actors for Duplicity: When you read a script like this and you have to shop ... Read Full Story

Photo: Universal International The Bourne Identity was penned by Tony Gilroy and W. Blake Herron based on the series of novels penned by Robert Ludlum. From there Gilroy went on to write the script for The Bourne Supremacy and worked with Scott Z. Burns and George Nolfi on the screenplay for The Bourne Ultimatum based on his screen story. Now, Nolfi is getting to take control of things for Universal. Along with co-writing Ultimatum Nolfi also penned the script for The Sentinel and Ocean's Twelve . Considering none of the other films followed the Ludlum novels outside of Jason Bourne being a spy hit ... Read Full Story

In a story from Latino Review, it seems that Oscar nominated writer ” Tony Gilroy” (Michael Clayton) is rewriting MGM/UA’s remake of Red Dawn. Dan Bradley is directing this film. Apparently, Gilroy turned in a 107 page draft that was “dated 06-01-09.” The initial remake was written by Carl Ellsworth and Jeremy Passmore. The original Red Dawn was [...] Read Full Story

Tony Gilroy ’s Duplicity is the ultimate cinematic cock tease. Duplicity has everything going for it right from the starting gate, but ultimately the film fizzles where it should sizzle. It is not a bad film, far from it, but after all is said and done, one wonders if they have just seen a comedy of manners written with enough reversals to give David Mamet a run for his money. Although “fuck” is never used enough to give it the traditional David Mamet touch, it is con game film. Tony Gilroy’s screenplay may be too smart for its good. Steven Spielberg had confessed that ... Read Full Story

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